In the heart of New Delhi, the bustling capital of India, a lotus-shaped outline has etched itself on the consciousness of the city's inhabitants, capturing their imagination, fuelling their curiosity, and revolutionising the concept of worship. This is the Bahá'í Mashriqu'l-Adhkar, better known as the "Lotus Temple". With the dawning of every new day, an ever-rising tide of visitors surges to its doorsteps to savour its beauty and bask in its serenely spiritual atmosphere.

Since its dedication to public worship in December 1986, this Mother Temple of the Indian sub-continent has seen millions of people cross its threshold, making it one of the most visited edifices in India. From its high-perched pedestal, this 'Lotus' casts its benevolent glance over vast green lawns and avenues covering an expanse of 26 acres of land. Its soothingly quiet Prayer Hall and tranquil surroundings have touched the hearts of the Temple's numerous visitors, awakening in them a desire to trace its inspirational source and capture a bit of its peace for themselves.

As an evocative symbol of beauty and purity, representative of divinity, the lotus flower remains unsurpassed in Indian iconography. Rising up pure and unsullied from stagnant water, the lotus represents the manifestation of God. The architect used this ancient Indian symbol to create a design of ethereal beauty and apparent simplicity, belying the complex geometry underlying its execution in concrete form. Twentieth-century architecture has been characterised by a high degree of technological prowess; however, it has been, by and large, unexceptional in aesthetic value. The Lotus Temple provides one of the rare exceptions with its remarkable fusion of ancient concept, modem engineering skill, and architectural inspiration, making it the focus of attention amongst engineers and architects the world over. In the absence of sophisticated equipment, the extremely complex design called for the highest order of engineering ingenuity to be implemented by means of traditional workmanship. No wonder, then, that the Lotus Temple, as a symbol of faith and human endeavour expended in the path of God, became the recipient of accolades and world-wide acclaim.

Against the backdrop of a religious milieu which encourages the fragmentation of the Supreme Reality into innumerable gods and goddesses, each personifying a specific attribute of the Almighty, the Bahá'í Temple, with its total absence of idols, elicits bewilderment as well as favourable response. When the main entrance gate was first opened to the general public on 1 January 1987, visitors flocked to the 'Lotus Temple' out of sheer curiosity. The vast lawns, the massive white structure, the high-ceilinged Central Auditorium and a Temple without idols standing so near the ancient 'Kalkaji Temple' aroused the interest of all.

Visitors from the West often came to critically appraise a structure which had gained fame as a marvel of 20th-century architecture. For them it was sometimes a grudging, sometimes a spontaneous realisation that the phenomenon called faith transcends logic and that the universal ethic of love envelops all. They, too, were humbled at this altar of faith and love.